This is a public record of Access Lab & Library’s reading group, commenced in February 2024.
‘Introduction: On Crip Authorship and Disability as Method’ by Mara Mills and Rebecca Sanchez in Crip Authorship: Disability as Method, 2023, pp. 1–21
‘Composing Perseveration / Perseverative Composing’ by M. Remi Yergeau in Crip Authorship: Disability as Method, pp. 38–47
‘Disability in the Library and Librarianship’ by Stephanie S. Rosen in Crip Authorship: Disability as Method, pp. 282–296
I Felt People Dancing by Alison O’Daniel, Kunsthalle Osnabrück, 2021, (video documentation by Stefan Brückner and Felix Hüffelmann)
‘The Kunsthalle Where No One Can Hear’ by Emily Watlington in Art in America (1 September 2021)
‘Watching dance with creative audio descriptions 2017 with English subtitles’ by Miyuki Tanaka
‘Feeling Fit for Function: Haptic Touch and Aesthetic Experience’ by Tom Roberts in the British Journal of Aesthetics (3 January 2022)
‘Hearsay’ by Georgina Kleege in More Than Meets the Eye: What Blindness Brings to Art, 2018, pp. 73–83
‘What is this shape?’ by Jess Shane (first aired on Short Cuts: The Interpreter, 2020)
‘“In place of catastrophe, a clear night sky’ work-in-progress showing at 92Y”, with captions & AD’, by iele paloumpis, 2021
‘Unseen Sound guided tour’ and documentation by Andy Slater, 2023